Wager Large and Earn Small playing Craps
If you commit to using this scheme you need to have a sizable bankroll and awesome fortitude to step away when you earn a small success. For the purposes of this story, an example buy in of two thousand dollars is used.
The Horn Bet numbers are not always judged the "successful way to compete" and the horn bet itself has a casino edge of over 12 %.
All you are playing is five dollars on the pass line and a single number from the horn. It does not matter whether it is a "craps" or "yo" as long as you gamble it always. The Yo is more established with gamblers using this scheme for apparent reasons.
Buy in for $2,000 when you approach the table but only put $5.00 on the passline and one dollar on one of the two, 3, eleven, or twelve. If it wins, great, if it loses press to two dollars. If it does not win again, press to $4 and then to $8, then to $16 and following that add a one dollar every subsequent wager. Every instance you don’t win, bet the last wager plus another dollar.
Employing this approach, if for instance after 15 tosses, the number you selected (11) has not been thrown, you likely should go away. However, this is what possibly could develop.
On the tenth roll, you have a total of one hundred and twenty six dollars on the table and the YO at long last hits, you gain $315 with a gain of $189. Now is a perfect time to walk away as it is a lot more than what you joined the game with.
If the YO does not hit until the 20th toss, you will have a total bet of $391 and because your current bet is at $31, you come away with $465 with your take of $74.
As you can see, using this system with just a $1.00 "press," your take becomes smaller the longer you bet on without succeeding. That is why you have to step away after a win or you must bet a "full press" once again and then advance on with the $1.00 mark up with each roll.
Crunch some numbers at home before you try this so you are very familiar at when this system becomes a non-winning adventure rather than a profitable one.
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