Wager A Lot and Win Little in Craps
If you decide to use this approach you really want to have a very large bankroll and remarkable discipline to leave when you generate a small success. For the benefit of this story, an example buy in of two thousand dollars is used.
The Horn Bet numbers are certainly not looked at as the "winning way to play" and the horn bet itself has a house advantage of over twelve percent.
All you are playing is $5 on the pass line and ONE number from the horn. It does not matter if it’s a "craps" or "yo" as long as you wager it constantly. The Yo is more common with gamblers using this scheme for obvious reasons.
Buy in for two thousand dollars when you sit down at the table but put only $5.00 on the passline and one dollar on one of the 2, 3, eleven, or 12. If it wins, beautiful, if it loses press to $2. If it does not win again, press to $4 and continue on to $8, then to sixteen dollars and following that add a $1.00 every time. Each time you don’t win, bet the previous wager plus another dollar.
Adopting this scheme, if for instance after fifteen tosses, the number you bet on (11) hasn’t been tosses, you likely should march away. Although, this is what might develop.
On the 10th toss, you have a sum total of $126 on the table and the YO at long last hits, you win three hundred and fifteen dollars with a take of $189. Now is a great time to march away as it’s higher than what you entered the table with.
If the YO doesn’t hit until the twentieth toss, you will have a complete bet of $391 and because your current action is at $31, you gain $465 with your profit of $74.
As you can see, employing this approach with just a one dollar "press," your gain becomes tinier the more you bet on without hitting. That is why you must walk away once you have won or you have to wager a "full press" once more and then continue on with the $1.00 increase with each toss.
Crunch the data at home before you attempt this so you are very adept at when this scheme becomes a losing affair instead of a winning one.
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